Coty Hogue & Nova Nervosa

Tickets: $15 adv, $17 door.

Click here to purchase advance tickets.

Coty Hogue may come from Montana and live in the Pacific Northwest, but her voice sounds like it’s been echoing around some Smokey Mountain for ages. Whether its completely unaccompanied or with straight-ahead guitar or claw-hammer banjo, she sings country songs, the genuine article – some old, some recent, some of her own – all with a voice unconstrained by age, time or geography.  In concert she explores this “country” sound in its broadest terms, also incorporating blues and even some swing. Recently she added an exciting backing band comprised of Bellingham, WA fiddler Kat Bula and guitarist Aaron Guest.
In May of 2009, Coty released her debut CD To The West. Featuring a mix of original, traditional, and a couple of cover songs, , the album has received much praise and airplay on Seattle/Belluvue radio station KBCS.

Seattle accordionist and vocalist Nova Devonie strikes out on her own with her new project, Nova Nervosa.Keeping the ensemble small with just herself, acoustic bassist Geoff Cooke and sometimes a percussionist, Nova draws on her years of experience of live performance and love of acoustic music.  Throwing in versions of past popular hits along with her own compositions, she provides an entertaining musical journey that begins with the sensitive squeezebox, encompasses humour and regret, and arrives who knows where?

Since her early days with the cowgirl supergroup, Ranch Romance with whom she recorded 3 CD’s for Sugar Hill Records, Nova has been performing locally in her home town of Seattle and can be heard playing with Swing-a-billy outfit Jo Miller & Her Burly Roughnecks, an ’all Buck Owens, all the time’ band – The Buckaroosters – www.myspace.com/thebuckaroosters, alt-country band The Rolling Blackouts – , and duo Miles and Karina.

Toy Box Trio CD Release Party w/ God’s Favorite Beefcake, Bakelite 78

Showtimes: 7.00 PM w/ God’s Favorite Beefcake, 9.00 PM w/ Bakelite 78.

Tickets:$13 advance, $15 at the door for either show (tickets sold separately)

Click here to purchase advance tickets.

The Toy-Box Trio presents “…charmingly quirky music that shifts from whimsical to creepy, from lullabies to marches. It is the soundtrack to a forgotten circus, a broken childhood memory, a magic music box full of dust and wonder.” (Sarah Shay, Jew-ish.com).

Founded in 2007 by classical composer Harlan Glotzer, the Toy-Box Trio is devoted to helping audiences experience through-composed music in an entirely different way.  The pairing of concertina, toy piano, and tuba is reminiscent of the classical piano trio—a staple in chamber repertoire—but able to extend into the 21st century by creating a sonic landscape evocative of dusty old music boxes and haunted carnivals.  Jordan Block of Sepiachord describes the trio’s sound as “…markedly intimate retro-future circus music, transforming baroque sounds into a stranger version of ‘The Dance of the Sugar Plum Fairy’.”  Toy-Box Trio is committed to approaching time-worn ideas and concepts from unexpected, non-traditional, and rarely-used angles.  The trio fills the space between carnivals, circuses, and classical chamber ensembles, creating a light and fanciful sonic atmosphere.

The Toy-Box Trio is at home in venues ranging from concert halls to cabaret clubs to street corners, and performs for a diverse audience including families, steampunks, and symphony-goers.  Previous performances include the Seattle International Cabaret Festival, Steamcon, and the University District Street Fair, as well as various stages and art galleries throughout the Puget Sound region.  Aside from stage performances, the Toy-Box Trio has been featured on KEXP’s “Sonarchy Radio” and has made a live television appearance on the Seattle Channel’s “Art Zone with Nancy Guppy”.  Sepiachord has commissioned two separate pieces from Toy-Box Trio for the CD compilations The Sepiachord Companion and The Sepiachord Passport.  Music from the trio’s self-titled EP creates the backdrop for Philadelphia’s Olde City Sideshow and provides the soundtrack for various films including My Lucy Charm and Back Ally.


For the 7.00 show, the Toy Box Trio is joined by God’s Favorite Beefcake, the illegitimate musical offspring of singer/songwriter  Shmootzi the Clod (a.k.a. Drew Keriakedes) and bassist Meshuguna Joe (a.k.a. Joseph Albanese), formerly of Seattle’s Circus Contraption performance troupe.  Joined by a rag-tag ensemble of skilled musicians —on guitar, musical saw, banjo, fiddle, harmonica, and spoons — the two eccentrics serve up a rich stew of Americana and old-time music, seasoned with a dash of tango and a dollop of old-school country.  The band’s maniacal live shows combine sideshow theatrics with toe-tapping original tunes.  Did someone say sword-swallowing?  God’s Favorite Beefcake is living proof that old circus habits die hard.


In the 9.00 show, The Toy Box Trio welcomes Bakelite 78.

Robert Rial arrived in Chicago at the turn of the century, eager to engage in the musical styles he loved most: country-blues, jazz, swing, tin pan alley, and American folk. He took comfort in music originally released on 78 R.P.M. records that were occasionally made from an early form of plastic called Bakelite. Bakelite 78’s preserved the music of this era and the band was born to bring them back to life.
The instrumentation of the band reflects this bygone era and is an eclectic mix of Dixieland, blues, proto-country, and cabaret. The original lineup of Bakelite 78 performed throughout Chicago from 2003 to 2008.   The group released their acclaimed debut It’s A Sin in 2006, and followed up in 2008 with Delta Disc, (produced in Mississippi by Jimbo Mathus, and partially funded by a City Of Chicago Department Of Cultural Affairs’ generous Community Arts Assistance Program Grant).
In 2009, Robert departed for Seattle and Bakelite 78 went through a personnel change. During this time, Robert sought multi-instrumentalists that preserved the same essence of the group’s original sound. The new lineup of musicians includes Robert Rial on tenor guitar and voice, Erin Jordan on piano, accordion, and voice,  Austin Quist on upright bass and sousaphone, Erik Reed on trumpet and acoustic guitar, Ashley Komoda on clarinet and saxophone, and Steve Baz on drums. Within a couple months, the group began performing original compositions under Robert’s direction. The persistence of vision combined with subtle improvisation is echoed in the music that takes on an exciting feel of its own. Fans of ragtime, blues, jazz, and swing will appreciate the anchoring rhythm section and strong vocals of Bakelite 78.

Pearl Django

Tickets: $13 advance, $15 at the door.

Click here to purchase advance tickets.

PD-quintet-08AEntering their fifteenth year of performing, Pearl Django continues to be one of America’s most respected and busiest Hot Club style groups. Though still strongly influenced by the music of Django Reinhardt, Pearl Django’s repertoire now includes many original compositions. Their music reaches out across the divides of taste to a wide variety of audiences. The band’s fervent followers include Django Reinhardt and Stephane Grappelli fans, guitar enthusiasts (and guitarists!), lovers of string music, including bluegrass devotees, who relish nimble, clean, intricate picking, “world music” fans drawn to French and Gypsy accents, plus jazz buffs and aficionados of the new swing music. Transcending simple categorization, Pearl Django packs in enthusiastic audiences at dancehalls and nightclubs, at folk music festivals and jazz festivals alike.

Voted favorite area jazz band 2003,
by Seattle Weekly readers!

“Pearl Django play(s) gypsy jazz…and they do it with such verve, skill and pleasure that
they’re pretty much irresistible to jazz and non-jazz listeners alike.”

—Seattle Weekly

“Pearl Django: The gypsy jazz of Django Reinhardt done to perfection!”
—Paul de Barros, The Seattle Times (2002)

Folklife Masters: Dirk Powell & John Doyle

Tickets: $40 advance / door

Click here to purchase advance tickets.

FolklifeMasters


johndirk3Northwest Folklife and Empty Sea Studios are proud to present the first concert in Folklife Masters, a new acoustic music concert series.

Folklife Masters presents one-of-a-kind concerts which bring master musicians from different traditions together to collaborate and inspire on stage.  A portion of the proceeds go directly to Northwest Folklife.

Dirk Powell & John Doyle

Old-Time and Cajun meet the Irish tradition

Currently on tour as Joan Baez’s backing band, fiddler/banjoist/singer Dirk Powell and guitarist/singer John Doyle will make their way over to Empty Sea after their sold-out ZooTunes gig to present a very special evening of traditional acoustic music.

Dirk Powell’s roots lie deep in the Appalachian mountains, and his recordings and collaborations have been an inspiration to many old-time and bluegrass musicians.  John Doyle is one of the greatest living Irish guitarists, and his work with Irish super-group Solas created a whole new style of guitar accompaniment in the Irish tradition.  Both of these master musicians are known as much for their innovations in traditional music as for their commitment to the music of their ancestors.  Dirk and John are both amazing producers and arrangers, able to rebuild a traditional song or tune from the ground up, imbuing it with new life and energy while never losing sight of what made it so special in the first place.  Our greatest hope for traditional music in a new century lies in musicians like Dirk Powell and John Doyle, for they can speak between generations and across divides.


dirkDirk Powell (fiddle, banjo, accordion, guitar, voice)

Dirk Powell has expanded on the deeply rooted sounds of his Appalachian heritage to become one of the preeminent traditional American musicians of his generation. In addition to acclaimed releases on Rounder Records, he’s recorded and performed with artists such as Loretta Lynn, Sting, Jack White, Levon Helm, Jewel, T-Bone Burnett, Tim O’Brien, Ralph Stanley, and Linda Ronstadt, among others. Dirk founded the Cajun group Balfa Toujours with his wife Christine Balfa and is currently Artistic Director of the Festival of American Fiddle Tunes. His ability to unite the essence of his culture with modern sensibilities has led to work with many of today’s greatest film directors, including Anthony Minghella, Spike Lee, Ang Lee, Victor Nuñez, Steve James, and Edward Burns.

In his early teens, Dirk formed a musical bond with his grandfather, James Clarence Hay of Sandy Hook, Kentucky, and discovered a personal resonance with traditions that stretch back to Scots-Irish ancestors who came to the mountains in the middle of the 18th century. Dirk learned banjo and fiddle firsthand in continuation of this line.  He is equally adept on both instruments, as well as guitar and Cajun accordion.  His ability as a multi-instrumentalist has made him one of the most in-demand musicians in traditional American music, and his ability to bring obscure songs and tunes from our distant past into our present has made him an innovator in any number of musical genres.  Dirk Powell displays a vibrant creative energy that crosses boundaries while remaining grounded in the rural traditions of his heritage.


doyleJohn Doyle (guitar, voice)

John Doyle’s gifts as a guitarist, songwriter, vocalist, and producer have played an essential role in the ongoing renaissance of Irish traditional music. As a member of Irish-American supergroup Solas, Doyle pioneered a rhythmic, sophisticated approach to Irish guitar accompaniment, setting a new standard for the instrument. Preserving the tasteful simplicity of tradition, Doyle nonetheless added a contemporary edge, finding fresh life in even the most well-worn of tunes. His playing encompassed hard-driving strumming, inventive chord voicings, precise single-note runs, and powerful rhythmic effects borrowed from traditional instruments such as the bodhran and fiddle.
Born in 1971 in Dublin to a family of musicians and singers, John Doyle was surrounded by traditional music from his earliest years. His father Sean is a remarkable singer and collector of songs, with a vast repertoire of traditional ballads committed to memory. Tommy Doyle, John’s Co. Sligo grandfather, taught him his first instrumental tunes. Two of his three brothers are musicians, as are various uncles, cousins, and other family members.  John was playing professionally by the age of 16, and soon moved to New York City, where he began playing with Eileen Ivers and Seamus Egan. He first rose to international prominence with Solas (Gaelic for “light”), the all-star Irish/American band whose emergence heralded the arrival of a new generation of bold, inventive traditional musicians.  Now an accomplished producer as well, Doyle has worked with such artists as Liz Carroll and Heidi Talbot. While with Solas, the guitarist also shared stages and studios with Frank McCourt, Linda Thompson, Kate Rusby, Mick Moloney, Brian Conway, Joannie Madden, James Keane, Karan Casey, and Cathie Ryan. He continues to innovate, finding the seeds of his contemporary approach within the tradition itself.

Duo photo by Emma Vasseur.