Sin Fronteras
Tickets: $13.00 advance, $15.00 at the door
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Sin Fronteras performs Latin American traditional and Nueva Cancion Music throughout Seattle and the Pacific Northwest. Inmerse yourself in vibrant rhythms, soulful melodies, and breathtaking harmonies, weaving throughout the uncommon poetry of Latin America’s common people — songs of life, humanity, equality, justice, and hope.
Since 2002, the group has shared their music and commitment to promoting an understanding of the complexities of Latin America’s pueblos. Their music draws on the Canto Nuevo (New Song) tradition originating in the social movements of the southern cone. The New Song of Latin America is defined by lyrics which speak to the everyday experiences of the working class and the dispossessed. The form focuses its energy on the struggle against oppression.
Sin Fronteras blends original arrangements with the harmony of folkloric rhythms found in the music of Ecuador, Venezuela, Mexico, Argentina and Chile. Following in the steps of Violeta Parra, one of the originators of the Canto Nuevo, Sin Fronteras is reconstructing the collective memory of Latin American musical traditions. To that end, they also weave Andean and classical musical styles with the folkloric traditions of Mexico and Chile, rejuvenating and reinventing the rich musical history of Latin America.
Their members hail from the US, Colombia, Mexico and Chile.
Correo Aereo
Tickets: $13 advance, $15 at the door.
Click here to purchase advance tickets.
Correo Aereo (Air Mail) is an award winning multi-instrumental and vocal Latin/World Music trio performing traditional and original music of Latin America; primarily of Venezuela, Mexico and Argentina.
Together, Abel Rocha and Madeleine Sosin along with Evan Flory Barnes combine a stunning array of string and percussive instruments with silken vocal harmonies described as “locked in carnal embrace” by the Austin Chronicle. Abel plays harp, guitar, cuatro and quinta huapanguera. Madeleine plays violin, maracas, bombo and jarana. Evan Flory Barnes adds hot stand up bass. Their music is richly polyrhythmic, soulfully melodic; fiery, haunting, joyful!
Correo Aereo has performed at festivals, theaters and music venues throughout the U.S. and abroad, including Holland’s prestigious Moondive; an international media project/concert produced by VPRO Television-Radio Amsterdam, the Winnipeg Folk Festival, the Austin Music Hall, the EMP in Seattle and the Knitting Factory in NYC. Their music has been featured on NPR Radio programs Latino USA, All Things Considered and on Amy Goodman’s Democracy Now.
The critics speak:
“Los Lobos’ David Hidalgo has often stated that to play harp extremely well you most often cannot play other instruments. Abel Rocha calls that wisdom into question since his considerable skill on the harp is matched by his flying fingers on quinta huapanguera, guitar and cuatro. His high, affecting vocal attack often soars above Madeleine’s lower register, singing in a startling and affecting reversal of traditional male female harmony…the musical skill of this couple complements the impressive reach of their pan-hispanic musical repetoire and marks Correo Aereo as one of the most exciting acoustic ensembles to appear in many years.”
DIRTY LINEN MAGAZINE
“I loved the Provinces recording. I had it in my car and when I played it, I was blown away by it; it was really good. I liked (their) arrangements and the way they know what to leave out and what are the bare essentials to make the song, in whatever style they are playing, work. Abel, who plays the harp and the huapanguera as well as sings, is amazing.”
DAVID HIDALGO / LOS LOBOS
“I won’t even try to catalog the styles and instruments that Abel Rocha and Madeleine Sosin bring to the stage – does it mean anything to you that Rocha’s a master of the huapanguera? – but these South by Southwest darlings have a pan-ethnic, global gypsy sound that’s stirring, passionate, and bittersweet. Trading off an assortment of stringed and percussive tools, they create world music with true heart and intelligence.”
SEATTLE WEEKLY

